6 months have passed in what is already shaping up to be an outstanding year in the world of music. As a new age of musicians begin to leave their mark on the face of the industry, whether it be the future garage sounds of Jamie xx or through hypermodern UK grime as demonstrated by Serious Thugs, it is evident that the underground scene is thriving more than ever. As is usually the case, it has been immensely difficult for both myself and Joe Sherwood to keep the list's maximum at 15 tracks, and so considerable mentions must be given to Swans' "Bring The Sun/Toussaint L'Ouverture", Hannah Diamond's "Attachment" and "Slave To The Rhythm" by the late Michael Jackson to name a few. We'll be releasing our list of albums with a short review for each very shortly so keep on checking back for that. Until then, enjoy our favourite tracks and EPs of the year thus far, complete with a Soundcloud playlist for each of us (tracks not on Soundcloud are linked to YouTube/Spotify).
Showing posts with label Soundcloud. Show all posts
Showing posts with label Soundcloud. Show all posts
Wednesday, 11 June 2014
Thursday, 31 October 2013
Review: Mosh
Mosh Empire (Self-released, 2013)
Since the release of his debut album, Monarchy, in late November 2012, Adam Bignell (A.K.A Mosh) has become a well-established name on many sites such as Soundcloud and Bandcamp. With tens of thousands of hits within a few months and much positive feedback on social networking sites, the release boded well for the future, and for this reason Empire was born.
Empire is an ingenious blend of various genres, predominantly those of electro/punk persuasion, which have been slightly lacking this year due to the primary focus on a more soft-edged finish, and so it has been interesting to hear Mosh's personal take on the evolution of electronica. The foremost track, 'Empress', perfectly exemplifies the tone of the rest of the album due to the tranquil stringed Oriental instrumentals that open and close the track, and also underlie a powerful and imposing electronic bassline throughout; although it isn't a particularly abrasive listen, it isn't an album to be taken lightly.
My favourite track on Empire was one of the longer pieces, 'Zodiac Overdrive',which brings the album to a mid-point climax through the use of formidable overdriven electric guitars and indignant vocals from Melanie K.A. The controlled distortion of the various musical implements really emphasises the quality of Mosh's level of production which can be seen from start to finish on the album, and for this reason Empire is a definite must-listen.
Since the release of his debut album, Monarchy, in late November 2012, Adam Bignell (A.K.A Mosh) has become a well-established name on many sites such as Soundcloud and Bandcamp. With tens of thousands of hits within a few months and much positive feedback on social networking sites, the release boded well for the future, and for this reason Empire was born.
Empire is an ingenious blend of various genres, predominantly those of electro/punk persuasion, which have been slightly lacking this year due to the primary focus on a more soft-edged finish, and so it has been interesting to hear Mosh's personal take on the evolution of electronica. The foremost track, 'Empress', perfectly exemplifies the tone of the rest of the album due to the tranquil stringed Oriental instrumentals that open and close the track, and also underlie a powerful and imposing electronic bassline throughout; although it isn't a particularly abrasive listen, it isn't an album to be taken lightly.
My favourite track on Empire was one of the longer pieces, 'Zodiac Overdrive',which brings the album to a mid-point climax through the use of formidable overdriven electric guitars and indignant vocals from Melanie K.A. The controlled distortion of the various musical implements really emphasises the quality of Mosh's level of production which can be seen from start to finish on the album, and for this reason Empire is a definite must-listen.
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